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Derek Mossman Knapp
Derek Mossman Knapp
Friday, 12 February 2021 / Published in Press / Prensa

Why there is a wine revolution taking place in the South of Chile

The South of Chile is ‘where it’s all happening’ from a wine buyer’s point of view, according to Mattia Scarpazza, head sommelier at Petersham Nursery. Travelling to Chile last year he visited Garage Wine, Pedro Parra, Pisador and Viña Capitán Pantene and discovered an exciting new breed of winemaker finding complexity, freshness and drinkability in their wines, through old vines grown in a more temperate climate. These wines are a far cry from the heavy Cabernet Sauvignons that many people associate with Chile and have a far more European profile and appeal.

“We were influenced by American and French consultants, the most crucial being Michel Rolland in the early 2000s. Those consultants were used to sunny, hot weather and heavy, black fruit Cabernets. With time, more winemakers travelled to Europe and other countries and realised that there were other styles of wines.”

There is a whole region in Chile where time seems to have stopped; where vines are tended by the older generation and wine is seen as part of a meal and not a lifestyle. This is in stark contrast to the rest of the country’s wine industry, in which less than 10 out of 400 wineries control 90% of the production.

In southern Chile there is an ongoing revitalisation of local wine traditions that date back to the first Spanish conquistadors who brought grapes with them on their galleons. I was first introduced to this part of Chile in 2018 when I took part in a masterclass on VIGNO wines, a southern Chilean association of old vine Carignan wines in Maule, led by Tim Atkin MW. I was left with the impression that these wines could have been made in Europe. (You can read The Buyer’s feature on the VIGNO masterclass here)

In 11 years the association, MOVI, has grown from 12 members to today’s 34

When I visited the country, and Maule in particular last year, I was able to speak to local vine growers and winemakers, and see first hand their deep-rooted respect for their heritage and sense of community.

Derek Knapp, owner and winemaker of Garage Wine in Maule, Pedro Parra (PhD in terroir from the Paris Centre of Agriculture), owner of Pedro Parra wines, Itata, Elena Pantaleoni, owner of Pisador, Maule and Raúl Narváez Reyes, owner of Viña Capitán Pastene, Malleco, all contributed to my understanding of why the region is resurging and why they chose to start their projects in what I consider to be one of the most dynamic areas of South America.

What is regarded as South of Chile?

On a regional map of Chile, you can see a long stretch of land between the Pacific Ocean on the west and the Andes on the East. Santiago sits somewhere in the middle of the 3000 kilometre-long country with appellations running from just outside the city, all the way down the Central Valley and beyond to those small dots sparsely scattered around the map.

South of Chile starts from Maule in the last stretch of the Central Valley to the marginal climes of Malleco. What changes is the influence of the coastal mountain ranges.

“Maule is in the oldest and lowest part of the coastal mountain range and the ocean influence is more prominent,” Derek Knapp says. This results in cooler temperatures and higher rainfall than the rest of the Central Valley, so vines can be grown without irrigation (also known as dry farming).

The movement to promote the South of Chile terroirs and heritage

The Central Valley is the core of Chile’s wine production, where the first investments in industrial scale wineries began.

“Chilean producers drank local wines and had no means of trying international wines. It was only when international consultants arrived that we were exposed to the taste of global wines,” Parra says, “We were influenced by American and French consultants, the most crucial being Michel Rolland in the early 2000s. Those consultants were used to sunny, hot weather and heavy, black fruit Cabernets. With time, more winemakers travelled to Europe and other countries and realised that there were other styles of wines.”

Pedro Parra, the ‘Indiana Jones’ of winemaking in the South of Chile

Pedro Parra recalls a visit with Marcello Rodamal to Albert de Villaine at Domaine de Romanee Conti in early 2004: “We realised then that we wanted to produce those wines in Chile. Once back home we brought our friends with us.” Parra was searching for wines that had complexity, freshness and drinkability, something that was unknown in Chile at the time.

On their return, Parra and Rodamal started various projects in the country, with a focus on the South of Chile, where they could find more suitable soils and climates. When I asked Parra why he decided to open his namesake winery in Itata, he explained “For me there are great soils all over Chile, but I wanted a place that had a cooler climate and cloud cover to mitigate the temperatures, which is more difficult to find. I found that in the South of Chile it starts from the southern part of Maule and gets more evident in Itata and as you move south.”

Derek Knapp, Garage Wine

Derek Knapp, who has been working in Maule with Garage Wine since 2008, explains that when they arrived in the area, they were able to buy grapes from local producers for their wines, but he quickly realised that there was a need to bring the producers together and in 2010 founded the association MOVI (Movimiento de Viñateros Independents).

“We created the opportunity for smaller producers to sell their wines internationally, as the regulations weren’t designed around small businesses. MOVI is on a special board with the SAG, the regulatory body of agriculture, to simplify the paperwork and also teach its members how to survive as small sellers, to work with others, collaborate and do things that they can’t do on their own,” Knapp says.

MOVI started with 12 people and there are now 34 members, actively promoting their wines globally and in the UK.

The focus on old vines and varieties

Not many wine regions in the New World have thousands of hectares of vineyards planted with unique varieties that are local to the area. A lack of interest in them for centuries and the inconvenient position of the area meant that replanting wasn’t an option for the table wine grower. But things are looking up.

Elena Pantaleoni

“Many owners of small vineyards in the area were at first sceptical, as most are quite old and few have ever shown interest in their grapes,” says Elena Pantaleoni, “Education is needed for both the international consumers of the wines of the South of Chile and the local growers.”

Pisador in Maule is Elena Pantaleoni’s second winery, the other being La Stoppa in Italy. She has been travelling to Chile since 1994, when her mother moved to the local area.

“I wanted to show the local farmers that there are people in the world who are interested in those wines and that there is no need to move. Part of my project is not to buy vineyards but to work closely with the local growers, show them, teach them and buy their grapes and then vinify them at my mom’s. We regularly invite journalists and buyers, as well as host harvest experiences for people from all over the world.”

Vine planting in Chile dates back to 1548, when the Spanish brought vines on their voyages to the New World. Some of those varieties have been lost, but some are still planted. Cinsault, Carignan, Muscat d’Alessandria and Pais (Mission) are being promoted and redeveloped with new impetus by Pisador, Parra and Garage Wines and many others. Younger vine-growers are starting to realise the potential of their land rather than leaving for the cities, a worrisome trend in the area. Could it be that Pais is what Chile is known for in the future?

Exploration of the far South of Chile

In more recent years, producers have been looking at areas that are even further south. Malleco being the most explored, Parra is very optimistic about its future: ‘The terroir is really interesting in my opinion. Malleco is where some of the best Chardonnay is produced. I compare it with Oregon. It can produce great Rieslings and Pinot Noir. The region is still not heavily explored and is waiting for more people to come, but there is movement.’

‘Los Confines’, the southernmost production vineyard of Moscatel in Chile.

One of them, Raul Narvarez Reyes, owns Viña Capitán Pastene ‘Los Confines’, a 0.6-hectare vineyard planted with Muscat d’Alessandria, which, according to SAG records, is the southernmost production vineyard of Moscatel in Chile.

Reyes believes in the potential of the region to make very unique wines despite its challenges: “The weather conditions are not easy for viticulture and it’s far from the middle of the country. In Araucania (their sub-region) there are only 125 hectares of vineyards but we saw the opportunity to produce quality wines. We were attracted by the volcanic soil, the cold weather and the fact that there are few vineyards in the region, and we can produce fresh, aromatic wines.”

Thus, new planting and wineries are being led by internal producers who are seeing the potential of the region to make wines that would be impossible to produce anywhere else in Chile.

These parts of Chile are going to play a bigger role in representing Chilean wine to consumers. There is a great sense of willingness to see what can be done and most importantly there are people and associations that are looking to open to international markets, such as MOVI and VIGNO in Maule. It is possible to find a few of these wines in retailers across the country, but for buyers who are looking to expand their portfolios in South America, this is definitely somewhere to look at.

Garage Wines is available through Bibendum, Pedro Parra available through Liberty Wines, Pisador available through Les Caves de Pyrenees while Viña Capitán Pantene is not yet available in the UK. 

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Garage Wine Co
Winery: Camino San Antonio Caliboro KM 5.8 San Javier 3660000
Región del Maule, Chile

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About Garage Wine Co.

Garage Wine began quite literally in Pilar and Derek’s Garage. After half a dozen vintages making wine for an informal market of family and friends, it began exporting to UK & Denmark in 2006

The Parcels

GWCo makes wines from a series of individual parcels, small lots / bottlings of 8 -22 barrels that include a series of dry-farmed field-blends of Carignan, Garnacha, Monastrell, País, Cinsault and Cab Franc grown on pre-phylloxera rootstock with small farmers in the Maule and Itata. Each wine is from a 1-2 hectare parcel in a different place: Bagual, Caliboro, Coelemu, Guarilihue, Loncomilla, Portezuelo, Puico, Ranquil, Sauzal, Truquilemu…

Over the years working in the community we have raised a veritable posse of vineyard hands whose skills are working the vineyards the old way / the traditional way— originario. We cultivate vineyards with small vigneron partners who work with horse and plough as his family has done for generations. Some of the parcels, where the next generation moved to the city, we have opted to rent long-term creating more work for the local hands who do want to stay on the farm.

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The vineyards are on the old Coastal Range of mountains closer to the Pacific — Chile’s other mountains. These are older and cooled more slowly so they have granitic soils, many with intrusions and cracks for roots to get deep down into. When GWCo. speaks of the provenance of our wines however we mean more than just the geology of the terroir. This is a good start, but we are convinced the farming practices that have evolved over generations have as much to do with the wines’ personalities as the soils. The regeneration of the vineyards long since neglected depends upon this farming.

GWCo. also makes an old-vine Cab Franc (old bush head vines) and a Cab Sauv blend in the Maule as well as two Cabs mountain-grown in the Maipo where the firm began in 2003.

All the wines are made by hand with native yeasts in small tanks, punched down manually and pressed out in a small basket press. GWCo is still very much a DIY operation and we still tow much of the crop back to the winery in trailers behind trusty pickup trucks 2,ooo kilos at a time.

Single Ferment Series Wines

Pais & Cinsault in the Secano Interior, the cradle of the original Chilean viticulture, have been forever the victim of commodity pricing. When GWCo saw its Carignan growers being paid paltry sums for their other fruit we began acquiring small bits from various farmers to experiment. From the beginning, we paid bonafide prices that would allow for the traditional field works to cultivate the soil properly to continue into the future. Commercial bottlings of “Single Ferments” began with serendipity when we simply could not resist not one but three small bits of Cinsault. And then promptly plain ran out of tanks to ferment them in. With nowhere to put all three, we simply stacked the second bit of newly harvested fruit on top of the first already fermenting—and then the third on top of both, creating one single fermentation from the fruit of three farms. We adopted the same technique with Pais and subsequently named both wines: Single Ferment Series.

The Nitty Gritty

In these times it is important to stand for what you believe in, and more importantly to build the kind of business you believe in. At Garage Wine Co. we revive old vineyards in marginalized Chilean communities to make coveted wines. We’ve positioned these wines in a dozen established fine wine markets around the world and we grow. The wines are not made to be expensive per se, but they are found on the higher shelves– they need to command a price that allows for proper farming. What we have discovered is that the long-term practices of regenerative farming not only make for better fruit and thus more flavourful wine, but that such a business can become a force for financial, community and environmental good.

The Baby and the Bathwater  

As South American wine exports have boomed over the last quarter-century, it has grown increasingly difficult for small farmers to sell their old-vine grapes at a proper price – a price that can consistently sustain family and community. Mainstream buyers want more for less and they would have the growers modernise. The modern wine business calls for spraying instead of cultivating, scaling instead of focusing, and above all: reducing the cost of labour. But with the old vineyards, the labour is precisely where one finds the wisdom of farming passed down through the ages. Throwing that away would be throwing the baby out with the bathwater.

Regenerative Farming

Farming in the Secano Interior, the Maule and Itata valleys of Southern Chile, has been a way of life since Colonial times. Not just vineyards, but mixed farming of heritage seed wheat, free-range livestock and local market produce. Small-scale farms use dry-farming methods: turning over the earth to capture scarce seasonal rainwater, and nutrients from the clever use of seasonal cover crops that in turn help sequester carbon from the air, and the use of horses to get into rows where tractors can’t reach.

This is where GWCo. works; too far from the comfort zone of those in the mainstream. These vineyards were neglected and relegated to bulk wine for decades because the booming market wanted branded varietals that didn’t command a price to support the work.

For more than a decade GWCo. has worked these old vines, there has been a marked improvement both in vineyard health and quality of the fruit produced.

The marrying of the fieldcraft of these small-scale farmers with the lens of modern science and GWCo’s mindful winemaking took a decade, but the marriage has proven successful not just for GWCo, but also for the farmers, our suppliers and customers alike. Over the past few years, we have begun to rent and in some cases acquire the property underneath the old vines. Today one-third of our production is worked our way with our own people.

Necessity was the mother of sustainability

Sustainability for us was never about seals and certifications. We became sustainable just trying to survive being small in an industry geared to the big. Vintage after vintage we made our way through a series of necessary work-arounds, finding a way forward, that only later would be seen to be sustainable.

Recycled bottles – Because our production runs were small we were challenged when it came to dry-goods. When bottle makers refused to deliver to us, we found a local bottle recycler who became a trusted partner. This small business employs workers in a rural part of the country where stable and safe work is hard to find. What we learned is that when bottles are manufactured they have a limited shelf-life on the factory patio—a best before date if you will. Today we buy these bottles and wash them before use. This is glass that would otherwise have been smashed and melted and remade—without ever having been used. What is the carbon footprint of a bottle manufactured twice to be used once?

Labels & Packaging— We learned to paint / silk-screen bottles because our bottlings were so small that the label printers did not want to work with us. The industry was geared to long print runs and said there was no money in printing 1200 labels. So we built a custom machine and found experienced hands with silk-screening. Luis, our bottle painter, has been painting bottles for us for 11 years now. (Chile’s first hotel built entirely of recycled materials: The WineBox, has adapted out bottles for their lamps today.)

What’s with the wax? - Regular capsules were also sold with a minimum far larger than our needs, so we found a school supply firm that would make us food-safe wax for seals from crayon wax.

All of these workarounds-- bothers slash hassles at the time, led to a positive and durable differentiation in packaging. We have continued to work with earth-friendly inks for silk screening and recycled materials for cases.

Fermentation tanks: Unable to buy new tanks— designed to make mainstream wines, large, expensive and inflexible in their design, we took the leftover cuttings and scraps of a large stainless manufacturer and pieced together Lagars (traditional word for open tanks). We did it for far less money and the upcycling created opportunities for local welding shops.

Fruit: Years ago we bought from mainstream growers. When we made a crackerjack wine, the grower would use the prestige with critics to sell our fruit to someone bigger / better known leaving us without said fruit and without continuity in our portfolio. After two or three experiences such as this, frustrated, we went South to the Secano to work with growers unknown, unpolished, and disconnected from the mainstream. Working closely with small growers far from the beaten path, we found diamonds in the rough. When the polishing was done we had forged a bond with the growers—partnerships that we have continued to build upon with others in the neighbourhood.

Diverse leadership

Let’s face it, the wine business can be conservative, clubby and patriarchic. Having a female lead our work helps us work with our growers and suppliers on a different footing. We also like to mix scientists with field hands. Instead of contracting the cheapest bused-in labour, we keep it local where there are more experienced hands. Mercenary piecework doesn’t work — proper sourcing does. It’s a mouthful, but in a phrase: the difference created by the discretionary effort released when you work in good faith with local farmhands is so much more than the savings that might be achieved from cost-cutting, that there’s no comparing the two. We have never looked back.

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